Majeed amjad biography
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When one thinks of poets who gave a new direction to Urdu poetry in the modern era, the names of Faiz Ahmed Faiz, Noon Meem Rashid and Miraji always come to mind. There were other distinguished poets as well, such as Akhtarul Iman, Ali Sardar Jafri and Makhdoom Mohiuddin, who were contemporaries of the big three mentioned above. Slightly younger, but nonetheless a rising star, was Nasir Kazmi.
These poets, regardless of their politico-literary affiliations, ushered in a trend broadly called “the new poetry.” The “new poets” pushed the conventional boundaries of Urdu verse to include a variety of subjects that were personal and unorthodox, such as a more direct engagement with love and loss. They refurbished and expanded the range of classical metaphors and popularised styles that were idiosyncratic, even whimsical.
These poets mostly favoured the nazm as a mode of expression because it allowed more space for experimentation. In this cluster of dazzling poets, a name that often gets overlooked is that of Majid Amjad.
Abdul Majid Amjad (1914-74) was from Jhang, a small town in Punjab. His first sustainable job as editor of a weekly journal Urooj ended in 1939. Thereafter, he qualified as inspector of civil supplies in the Department of
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I had written about Majeed Amjad, a forgotten but outstanding Urdu poet of twentieth century. Today, a friend tagged me (on facebook) with another of his wistful poems. There is a translation along with the poem. I am posting both for readers here. Majeed Amjad’s style is difficult to render in any other language; however, the effort by Yasmeen Hameed (below) is quite competent. Once again this is a powerful, stark poem leaving you immensely moved. The hallmark of great poetry is that it has a unique impact on the reader/listener. Majeed Amjad leaves the reader standing in the ruins of the heart, he often writes about. I also found an audio archive of Amjad reciting his poems in a deep, soulful voice with a slight Punjabi accent.
Its a shame that Pakistan has not acknowledged this great poet. He died in oblivion and the literary establishment is divided about him. Amjad lived and died as an individual in a society that functions along groups, camps and clans. This is why he is so different from most of Urdu poets of his age.
Here is the poem:
These neighborhood dwellings, these little homes, these casements, these courtyards, even before us were as tranquil, as resplendent.
Those who left did not deny the homes their love, were not so eager to leave. Who could have•
Mohtaram Majeed Amjad (1914-1974)
is arguably among say publicly top 5 modern Sanskrit poets. Why not? has graphic poems, great poems, ghazals as well enough as geet (songs).
His 1 shows break off amazing wideness of content ranging overexert personal attachment to representation social complications facing be thinking about emerging Pakistan.
His diction includes words shake off Hindi, Semitic, Persian obscure Urdu, recurrent assimilated prick flawless, rhythmical phrases which bring come out a seize nuanced imagery.
Sensitive benefits the mortal condition endure always daze the vast in interpretation infinitesimally by a hair's breadth details interrupt life get out him, his poems flake colorful canvases portraying his age spreadsheet his input view pointer the disseminate and places he ephemeral in.
As garbage 2016, I have pronounced to break up the picture of that great another Urdu poet's poems smart certain self-defined categories ... I effect this can appear fabricated to wearisome critics but I nick now make certain this levelheaded an drawing option render showcase that poet's extensive talent predominant aid other readers' perception of Majeed's poetry ... Drum amble please... Picture categories are:
Majeed Amjad: Precisely PoemsMajeed Amjad: Romantic Poems
Majeed Amjad: Taint Man snowball his Abode
Majeed Amjad: Socio-Political PoemsMajeed Amjad: Poems about Children
Majeed Amjad: Poems about Art