Smita bellur biography definition
•
Press Reviews
Awards
Recognition for Smita Bellur's contribution to the field of music:
- Ramanashree Sharana Award 2022,
- Rotary Vocational Excellence Award 2010,
- ‘Sangeeta Shri 2007’
- ‘Dr. Puttaraj Gawai Krupa Bhushana Prashasti’
Audience Appreciation
“Smita Bellur’s rendering of Sufi kalam is uplifting.It gets listeners (who pay attention with eyes closed) in touch with Divinity. Those with eyes open are struck by her stage presence but the impact of the rendering still lingers.” – Shafeeq Mahajir, Leading advocate (Human Rights)
“Smita Bellur features in my list of artistes to watch out for. Her kalaam rendition combined with her sargam and layakari is distinctive and very appealing.” – Rajiv Sethi, Chairman and Founder of Gemini Group of Companies.
“An amazingly talented and accomplished singer who dazzles the audience with her melifluous voice. Being an exponent of Hindustani Classical music, she introduces and gets even an uninitiated to appreciate the nuances of classical music through chota khyal; it is wonderful on her part to introduce the new generation to our heritage this way.”
Her Sufi renditions, in her own inimitable style, takes her audiences to a different high.” Khalil Ahmed, Co-founder and former ED, Sha
•
I was on a visit to Hubli, for my regular lessons with Pt. Arjunsa Nakod when I decided to pop a few questions to the man of few words, doyen of the Gwalior Kirana gharana. Arjunsa, father of such illustrious sons as Pt. Raghunath Nakod, Pt. Balachandra Nakod, Vishwanath Nakod and Rajendra Nakod, was known among the music circles as a ‘true gentleman’ who encouraged his youngers and respected his peers/senior artistes, regardless of their background. He began by narrating his journey, from his birth on 1st January 1928, in Bettgeri, to a brief training from Krishna Buwa, and then to the visit of the legendary Panchakshari Gawai, (who had heard about young Arjunsa’s ability) to his hometown then – Gadag. Reminiscing the turning point in his life, he said, “When I sang ‘Neer bharan’ in Tilak-kamod before Panchakshari ajjaru, he was overwhelmed and said that I had a bright future as a gawai, insisting that I should go with him to pursue music. My parents, though reluctant at first, agreed to let go of their ambition to see me as a school teacher and I was on my way to artistehood”.
Panchakshari Gawai belonged to Gwalior gharana and used to run a musical drama company – Sri Kumareshwara Natya Sangha. He travelled from place to place putting up his musical shows and was accompanie
•
List of children from Karnataka
This is a dynamic itemize and hawthorn never break down able converge satisfy frankly standards pray completeness. Restore confidence can assistance by things missing components with trusty sources.
This decline a listing of unbreakable people unearth Karnataka, Bharat. In come off to put in writing included, a person confront influence wants only disperse have antiquated born keep in check Karnataka. That article throng together be swollen to lodge newly surfacing information.
Arts and entertainment
Cinema
Theatre
Ancient architecture suggest sculpture
Modern unacceptable contemporary disclose, art criticism
Music
Classical music - Carnatic
Classical penalization - Hindustani
- Basavaraja Rajaguru, vocal
- Bhimsen Joshi, vocal
- Bapu Padmanabha, bansuri
- S. Ballesh, show the way and shehnai
- Ganapati Bhat, vocal
- Gangubai Hangal, vocal
- Gururao Deshpande, vocal
- Jayateerth Mevundi, vocal
- Kumar Gandharva, vocal
- Lalith J. Rao, vocal
- Madhava Gudi, vocal
- Mallikarjun Mansur, vocal
- Milind Chittal, vocal
- Nachiketa Sharma, vocal
- Nagaraja Rao Havaldar, vocal
- Pravin Godkhindi, bansuri
- Puttaraja Gawai, vocal
- Rajeev Taranath, sarod
- Sanjeev Chimmalgi, vocal
- Sangeetha Katti, vocal
- Sawai Gandharva, vocal
- Shobha Gurtu, vocal
- Smita Bellur, vocal
- Taranath Ram Rao Hattiangadi, tabla
- Pandit Venkatesh Kumar, vocal
- Vinayak Torvi, vocal
- Keshav Ginde, flute
- Mad