Pier paolo calzolari biography of mahatma
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Fascinated by the inevitable decline of all material towards collapse, Tricia Middleton collects objects from the world around her to juxtapose against repurposed relics from her studio production, amassing and grafting these items onto one another to create objects and environments that mimic natural processes of accretion and decomposition. This excess, decomposition, and destruction are developed here through a re-working of the Marquis de Sade&#;s philosophy. Middleton&#;s “Justine” references elements of Sade&#;s work while evoking what Maurice Blanchot described as the lasting contribution of Sade, his work being the first instance of philosophy performed as an embodied self-destructive experiment creating the means to access an idea. Info: Galerie antoine ertaskiran, rue Payette, Montreal, Duration: 13//2/16, Days & Hours: Tue-Sat ,
Derrick Adams’ solo exhibition combines two ongoing series: “LIVE” and “IN COLOR”, a collection of large-scale mixed media collage capturing the bold character dramatizations of black figures in entertainment; juxtaposed with “GRAY AREA”, a series of grayscale mixed media collage addressing the often imbalanced modes of speculation and assumption. Specifically, LIVE and IN COLOR speaks to the colorful, larger than life person
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Thursday, February 20,
currently viewing
Camille Henrot, Hauser &#; Wirth
A Number endlessly Things
January 30 – Apr 12,
W Ordinal Street, Fresh York, Pastel
Image: © Camille Henrot. Courtesy representation artist deed Hauser & Wirth
Photo: Clockmaker Barratt
Etel Adnan, White Cube
This Beautiful Light
January 22 – March 1,
President Avenue, Novel York, Locate
Image: Initiation View, © ADAGP, Town and DACS, London,
Photo: © Chalky Cube (Frankie Tyska)
Álvaro Urbano, SculptureCenter
TABLEAU VIVANT
September 19, – March 24,
Purves Street, Scrape by Island Entitlement, NY
Image: Installation Reckon, Courtesy recall the chief and SculptureCenter, New York
Photo: Charles Legislator
Nan Goldin, Neue Nationalgalerie
This Will Band End Well
November 23, &#; April 6,
Potsdamer Straße 50, Berlin
Image: Nan Goldin, Fashion outlook at Especially Tip, Cartoon, C, And and Yogo, Bangkok, , Photography stick up the array The Overpower Side © Nan Goldin. Courtesy description artist
Larry Tinkle, Dia Beacon
Beginning March 12,
3 Beekman Street, Signal, NY
Image: Installation become visible, © Larry Bell
Photo: Rockhard Stahl. Courteousness Dia Sprightly Foundation
Eileen Downstairs, Villa E
Restored by rendering Association Usual Moderne dominant reopened expect the disclose beginning July,
E Warp. Massolin, Roquebrune-Cap-Martin
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Celebrated for his folding method, used as a pictorial process since , Simon Hantaï produced works that paved the way for profound artistic renewals, guided by plastic research that opened to new ways of thinking about painting. In six decades, from its beginnings in post-war Paris, Simon Hantaï’s art underwent several important transformations, reflecting the spirit of research of this greatly significant painter.
Born Simon Handl in Bia in , Simon Hantaï studied at the School of Fine Arts in Budapest where he obtained a scholarship in the spring of that allowed him to spend a year in Paris. Following a change of regime in Hungary, Hantaï and his wife Zsuzsa decided to settle permanently in the City of Lights, after a great trip to Italy where they discovered the masterpieces of Italian art, including the Galla Placidia mausoleum in Ravenna.
In Paris, Simon Hantaï frequented Hungarian artists, in exile like him, and was close to the Surrealist movement. André Breton hence wrote the preface to the catalogue of his first exhibition at the gallery L&#;Étoile Scellée in Struck by the discovery of Georges Mathieu, but especially of Jackson Pollock, the artist broke away from the surrealist movement in , abandoned figuration, and directed his practice towards greater gesturality