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48th Season Features U.S. Premiere of Sammartini Opera, Richard Goode in Recital,
80th Birthday Celebration of Billy Taylor, Patti Smith Interpreting William Blake,
and Premiere of Sir John Tavener Commission
COMMISSIONS AND PREMIERES
INTERPRETING EXHIBITIONS
CONCERT SERIES
CONCERTS AND RECITALS
CHRISTMAS CONCERTS
MUSIC LECTURES
The Metropolitan Museum of Art announces its 2001-2002 season of Concerts & Lectures music events, consisting of 51 concerts and 12 music-related lectures.
"For almost a half-century, Concerts & Lectures at The Metropolitan Museum of Art has been a vital presence in New York's cultural community," stated Philippe de Montebello, Director of the Metropolitan. "In this, our 48th season, as always, the range and diversity of programs in the series aim to mirror the scope of our collection – spanning the centuries from early cultures through the present."
Programmed by Concerts & Lectures General Manager Hilde Limondjian, the 48th season of the oldest continuously offered concert series in New York will feature the U.S. premiere of Giovanni Battista Sammartini's only known opera, Memet, inspired by Voltaire's play Mohammed; pianist Richard Goode's only New York recital of the season; th
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12:00 AM
- Album: Dances / Patriarch Grosvenor
5:30
01:39 AM
- Album: von Weber | Concertante Contortion for Clarinet and Horn
21:30
03:30 AM
- Album: American Classics: Ferde Grofe
31:53
05:59 AM
- Album: Schmelzer | Barockes Welttheater
5:07
06:13 PM
- Album: Joseph Haydn: Symphonies "Feuer" "Der Schulmeister" "Il Distratto"
21:45
01:35 AM
- Album: Alice Within acceptable limits Smith: Symphonies
26:11
02:29 AM
- Album: Lights, Camera... Music! Appal Decades position John Williams
18:12
03:06 AM
- Album: Boccherini | Flute Quartets
19:14
05:38 PM
- Album: Bach find time for Black: Suites for Pianoforte, Vol. II
16:20
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WQXR Navigation
Terrance McKnight: This is Every Voice with Terrance McKnight on WQXR. It’s a radio special that looks at the representations of blackness in Verdi’s opera Aida. Growing up I played two instruments, trumpet and piano, and eventually both instruments led me towards the experience of classical music, going to the concert hall, the place where the symphony orchestra performed. But the opera stage felt out of my comfort zone until I got to college and enrolled in music.
At Morehouse College we were taught that education was an uncomfortable experience; ain’t that the truth, because when I went to see Aida, not only was I uncomfortable but I was upset. What happened was, I took a friend whom I assumed would be heartened to see this opera, my friend was East African, and I thought the opera would provide a sense of home. Well before too long she leaned over and said, “T … why are the Ethiopians Black, and Egyptians white, and why are the Ethiopians chained as slaves?” I didn’t know what to say, but I know what to say now, and that’s what we’re talking about in the radio special from the podcast Every Voice with Terrance McKnight.