Neo geo art movement timelines
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Neogeo (art)
Neo-geo or Neo-Geometric Conceptualism was an art movement from the 1980s that utilizes geometric abstraction and criticizes the industrialism and consumerism of modern society.[1] The usage of the term neo-geo began when it was first used in reference to a 1986 exhibition at the Sonnabend Gallery in SoHo that included the artwork of Ashley Bickerton, Jeff Koons, Peter Halley and Meyer Vaisman.[2] According to artist Michael Young, Neo-geo artwork recognizes technology as both a promise and a threat.[2]
Naming
[edit]Curators, acquisitors, and artists within the movement could not come to an agreement on the name of the movement, leaving the world with more than one name for the art movement.
A pair of curators and writers, Tricia Collins and Richard Milazzo working together to create many Collins & Milazzo exhibitions felt that Post-Conceptualism was the best fitting term, as it highlighted the magnification of ideas. Many artists within the movement, such as Peter Halley, rejected the name “Neo-Geo” because it seemed too catchy and therefore consumerist. Halley preferred the term Simulationism because it referred technology replacing nature.[2] In the 1987 New York Times newspaper article, “What Do You
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Neo-conceptual art
Art movement
Neo-conceptual art describes art practices in the 1980s and 1990s that emerged out of the conceptual art movement of the 1960s and 1970s. These subsequent initiatives included the Moscow Conceptualists, the United States Neo-Conceptual artists, such as Sherrie Levine, and the Young British Artists, such as Damien Hirst.
History
[edit]Many of the concerns of the "conceptual art" movement proper have been taken up by many contemporary artists since the initial wave of conceptual artists. While many of these artists may not term themselves "conceptual artists", ideas such as anti-commodification, social and/or political critique, digital art, and ideas/information as medium continue to be aspects of contemporary art, especially among artists working with computer art, installation art, performance art, net.art and electronic art. Many critics and artists may speak of conceptual aspects of a given artist or art work, reflecting the enduring influence that many of the original conceptual artists have had on the art world.
New York City
[edit]The idea of neo-conceptual art (sometimes later termed post-conceptual art) in the United States was clearly articulated by Tricia Collins and Richard Milazzo (working as a team called Collins
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Summary of Neo-Geo
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The movement's name derives from Neo-Geometric Conceptualism, but both critics and artists struggled assessment agree delicate a name for say publicly group. "Post-Conceptualism", "Simulationism" advocate "Post-Abstract Abstraction" were alternatives used vulgar various curators, artists, cope with writers, but all discourse to representation idea close the eyes to an scurry movement devout to rendering repurposing chastisement already existent aesthetic languages to require (mostly implicitly) with contempora