Ataklan biography template
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This is a hugely creative society. In a nutshell, and in alphabetical order, here is a taste of the arts scene in Trinidad. This is merely an appetiser, so for much more, visit our Arts & Culture section.
Fashion & jewellery
Trinidad has produced bold and vibrant designers and fashion lines. For something distinctively Trinidadian, check out fashion by CLD, Ecliff Elie, Adrian Foster, House of Jaipur, Heather Jones, K2K, the Lush Kingdom, Meiling, Millhouse, Claudia Pegus, Pilar, The Cloth, and the Wadada Movement.
Local jewellery designers create breathtaking hand-crafted jewellery in gold and precious stones, including Chris Anderson, Gillian Bishop, Janice Derrick, Akilah Jaramogi, Barbara Jardine, Rachel Rochford, Rachel Ross, and Jasmine Thomas-Girvan.
A design by Shurnel is modelled T&T Fashion Week. Photographer: Edison Boodoosingh
Film & cinema
The film industry has long been earmarked for growth, and incentive and rebate programmes have made the islands an attractive location for filming. Several film-makers of Trinbagonian heritage are producing and showcasing their works internationally; many are screened at the annual Trinidad & Tobago Film Festival (see our Festivals section).
The UWI Campus Film Classics and European Film Fes
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I had heard all the buzz, and I’d read the awful deconstructions in the press, and was eager to see how I felt about Carnival Messiah. As I expected, I could see where the strong feelings for and against the production had originated.
The programme described it as a ‘two-hour spectacular’, but in reality, it was some three and a half hours later that I made my exit from the Queen’s Hall auditorium. There were sections which seemed too long, and sequences which seemed altogether superfluous. It could have been scaled down to the billed two hours, capitalising on the ‘spectacular’ elements of the production, and eliminating weaker parts.
Take, for example, the inclusion of components which are not indigenous to Trinidad Carnival. Think hip-hop samples (mainly from the resident DJ), the jarring Latin American and Russian flavourings, the Elvis cameo in ‘Whoopi Band Melody’ and, to a lesser extent, the dancehall-infused music, courtesy Ataklan.
In short, Ms. Connor’s intentions, as much as I admired and appreciated them, seemed muddled. It seemed her ambition to be all-inclusive took so much on board simultaneously that the production often struggled to work as a cohesive unit, rather than a collage or pastiche. The spiritual parallels between ethnic an