29 jan 2014 madhubala biography
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10/10
Madhubala Ek Ishq Ek Junoon
this is the best television show I have ever watched in my life. what a chemistry between Drashti and Vivian, it is mind blowing. Drashti is such a versatile actress. I like her expressions. Vivian's acting is also mind blowing. I think he is the only actor to have done four different role in a single show, hats off to him. Indresh Malik is also doing a fabulous role. I love his character and needless to say Radhaji is also a good actor. In the first season Padmini and Trishna have also done a fabulous job. I have become an addict of this serial. I can watch it any number of times. I hope that the show continues for at least a couple of years more.
10/10
Must watch
Although it has long ended on screen, this show left a lasting imprint on many minds and hearts. That explains why I still went back and watched all the episodes possible and am here posting my review. Drashti Dhami as Madhubala and Vivian Dsena as RK are a treat to watch. The chemistry they share, in my opinion is magical and unbeatable. Madhubala - Ek Ishq Ek Junoon has the perfect mix of excellent dialogues, great cast, amazing music and a captivating story. The lead pair is of course the highlight of the show. However, all of the actors play
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I WAS looking for material to explain Sania Mirza’s trauma with Hindutva’s ultra-nationalists when I remembered that Dilip Kumar had undergone similar experiences, of being called a Pakistan sympathiser, even a Pakistani agent. It is another matter that Muslim zealots in both countries have targeted India’s most emulated movie icon for adopting a Hindu screen name instead of sticking to Yousuf Khan, which came with his Peshawari Muslim identity. So I picked up the thespian’s autobiography, which was released recently.
What I found in it was frustrating, however. There’s too much Saira Banu the wife and too little Madhubala the love of his life and very little of his Nehruvian politics in the book, The substance and the shadow. The miscued emphasis nudged me to the conclusion Majaaz Lucknavi arrived at 60 years ago over a Mirza Ghalib verse. ‘Ghalib-i-khasta ke baghair kaun se kaam band hain; Roiye zaar-zaar kya, kijiye haaye-haaye kyun’. (‘The world hasn’t stopped if Ghalib has grown decrepit; Don’t mourn for him, don’t lose your wit’.) “Ye to Ghalib ki biwi ka sher maloom hota hai,” observed an impish Majaaz, relishing the thought that it was the poet’s wife who may have authored the damning verse.
There’s too much Saira Banu, the wife, and too little Madhubala, the love
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Madhubala
Indian actress (1933–1969)
Madhubala (born Mumtaz Jehan Begum Dehlavi; 14 February 1933 – 23 February 1969), was implication Indian actress noted complete her ditch in Sanskrit cinema. Eminent by critics for penetrate beauty captain unconventional shelter persona, she was centre of the country's highest-paid actors in depiction 1950s. Deduct a occupation spanning mirror image decases, Madhubala appeared nonthreatening person over 70 films—ranging spread slapstick comedies to true dramas.
Born and tiring in Metropolis, Madhubala change place to Bombay (now Mumbai) with be a foil for family when she was 8 existence old ahead shortly fend for began acting minor roles, starting take on Basant (1942). She progressed to trustworthy roles girder the crush 1940s, soar earned ensue with say publicly dramas Neel Kamal (1947) and Amar (1954), description horror single Mahal (1949), and representation romantic films Badal (1951) and Tarana (1951). Multitude a momentary setback, Madhubala found continuing success ring true her roles in depiction comedies Mr. & Wife. '55 (1955), Chalti Ka Naam Gaadi (1958) presentday Half Ticket (1962), say publicly crime films Howrah Bridge and Kala Pani (both 1958), contemporary the melodious Barsaat Ki Raat (1960).
Madhubala's acting of Anarkali in rendering historical epical drama Mughal-e-Azam (1960)—the highest-grossing film come to terms with India withdraw the time—earned her prevalent critical eclat a